When he was a little boy, Filippo used to blush whenever the little girl with the red skirt looked out of the window. As a teenager, the thrill of going to the cinema with ‘her’ was as exciting as watching his favourite team winning the soccer championship.
(Source: Erika’s photos http://www.flickr.com/photos/korny_84/2673401977/)
The theatrical transposition of Aldo Nove’s book “Amore Mio Infinito”(My Infinite Love) follows the biographical novel’s approach of recalling through flashbacks the various episodes of an ordinary man’s love life.
The focus is love, but not love in an obvious, naïve or romantic fashion. Love is a concept explored through the witty eyes of a child who grows into a teenager and then a young adult. Love is funny and scary. Love is desired and rejected. Love is necessary yet fugacious.
Perhaps, the child’s journey in understanding the ‘game’ of love is a metaphor of his path in life: in the end, the adult will come to realise that there is no solution to understanding the game of love just as there is no right answer to the quest of the metaphysical understanding of life in general.
So, who better than a group of young talented actors could interpret a theatrical pièce centered on and dedicated to the world of children and of young people? The Tangram Theatre in Torino offered last night a beautiful interpretation of a play in two acts: the first act illustrating some excerpts from Aldo Nove’s novel, while the second part consisting in an experimental illustration of the actors’ own memories from childhood.
The red thread connecting the entire play was the playful yet serious exercise of remembering and recalling thoughts, feelings and emotions of the time before awareness (and, arguably, cynicism) typical of adult age have kicked in.
It was refreshing to see new and young faces focusing on small and big problems of childhood and youth, and, most of all, showing all of their liveliness and creativity through art.